Robert talks Twilight, his relationship with Kristen, skateboarding and Star Wars with The Washington Post

With the “Twilight” saga coming to an end next week following the release of “Breaking Dawn Part 2,” Pattinson, 26, can now fully focus on defining himself as an actor who appears in movies that don’t feature the Volturi. How does he feel as he makes that transition? What does he have to say about accusations that his relationship with Kristen Stewart has been a marketing tool used to sell a semi-steamy vampire romance? And is he really so up for a part in the “Star Wars” franchise that he would willingly play a live-action version of Jar Jar Binks?

During a recent phone interview, I did my best to get the answers to some of these questions. Here’s a transcript of our conversation.

I remember being at Comic-Con in 2008, prior to the release of the first movie, and thinking that you and Kristen Stewart seemed particularly shellshocked by the massive fan response. Do you remember what was going on in your mind then?
Pattinson:
 Yeah, I mean, it’s kind of exciting, but it just seems so separate. It’s always seemed so separate — that whole part of it — from doing the actual movies. That’s never changed for me. It’s a totally independent part of the job. You always get asked more about that aspect of it than anything else, you know, all the screaming and stuff. And I’ve never had a single lucid, analytical thought about it. It still just seems like screaming to me.

Why do you think people tend to ask more questions about that aspect of “Twilight”? Just because it seems so insane?
Pattinson: 
Yeah, I mean, it is the weirdest thing. There’s plenty of people who do movies and even big movies and stuff, but it’s weird to have that reaction for a series … but I don’t know why it happens.

So you haven’t gotten more used to than you were three or four years ago?
Pattinson: 
You kind of get used to it a little bit but you still get a good energy. I like [being] at Comic-Con and stuff, it’s nice to have that size a crowd. Especially at Comic-Con, you get the Q&A or whatever so there is some kind of performance involved. At the premieres and stuff, where it’s just screaming at you, that’s kind of harder. It’s quite tiring, because you don’t really know what you’re supposed to be doing.

Your last day of shooting on “Breaking Dawn Part 2” was in April, is that right?
Pattinson:
 Um. [Pauses] God, I have no idea.
It was earlier this year, let’s say.
Pattinson:
 Oh, no no no. It was ages ago.

Was it? I thought you did some reshoots earlier this year.
Pattinson:
 Oh yeah. Maybe.

The reason I’m asking is that I’m trying to see if you can remember the last day you were shooting on this and reflect on that. I don’t know if you can talk about the nature of the last scene you shot — I’m guessing not —
Pattinson: 
[Laughing] I forgot about the reshoots.

You forgot about it? Excellent! What was going through your mind? Although if you forgot about it, then maybe not much.
Pattinson: 
What was going through my mind? Oh yeah, we were shooting the hunt scene … when Edward and Bella hunt the deer together at the beginning. And uh, I was thinking — to be honest, what I was thinking was, this is a much better way of shooting it than how we shot it originally. And I wish we’d done it like this before. But uh, yeah, the last few shots and the reshoots were fairly insignificant. They’re all kind of movement shots. I don’t know, I remember I was learning how to skateboard, like the dorkiest 26-year-old. I thought 26 was like the last year where you could attempt to be a novice skateboarder. I just sort of realized, well that’s really weird. If a producer saw me doing this two years ago, they would have called up my agent immediately.

Why were you skateboarding?
Pattinson:
 I was just doing it for myself outside the trailer, and one of the studio executives walked past and didn’t say anything. I was like, I would not be allowed to do this two years ago.

Because of the potential for injury.
Pattinson:
 Insurance and stuff.

Now at this point, they’re like, break your head open. It’s fine.

[Pattinson laughs.]

At the risk of angering any of the directors you’ve worked with on “Twilight,” is there one film that stands out as the most meaningful to you, either because of the experience or the way you felt that it turned out?
Pattinson:
 Definitely the first one. By a huge margin. It was just an entirely different world. For one thing, it was just a really, really fun movie to shoot. It was difficult and it was crazy, but the experience was so different. Just having a really big, young cast as well — I have never done anything like it since. Everyone was kind of unknown and had a feeling about the movie. There was definitely some excitement there, that it could either be a total miss or something could happen with it.

Was part of the excitement that it hadn’t become a huge phenomenon yet, so it was sort of like you were working on a smaller film?
Pattinson: 
Oh yeah, completely. Especially because me and Kristen were kind of really, really fighting to try and — we didn’t want it to be a teen movie. We were kind of ridiculous about it. It was fun fighting against the studio executives and the producers and stuff and butting heads with then all of them all the time. But then once it gets so huge and once you’ve already dived in, basically, you can’t — it’s a strange thing. You don’t really know where you should focus your energy afterwards. On the first one, it was really easy to know.

Some people have been critical of whether your personal lives are being used to market the “Twilight” movies, in particular your relationship with Kristen. What is your response to that?
Pattinson:
 Being critical of?

You know, people saying “Their romantic relationship is being used as a marketing tool for the film.”
Pattinson: 
[Pauses, then laughs] For one thing, it would be a terrible marketing tool, and it’s not utilized very well at all. People will say anything. I’m still amazed that people even believe anything [that’s said about us]. I mean, it’s one of the craziest things about the whole situation, where you can see the whole — is paradigm the right word? — of celebrity gossip, celebrity culture type stuff that’s literally entirely made up. There’s a story line. You have a set character and your story line is written for you. And it doesn’t matter what you do. I talked to Reese Witherspoon about it a while ago, and she was the person who really told me, you get given a character. I mean, I’ve literally tried to do things to throw people off, and it just doesn’t get printed.

Like what? Give me an example.
Pattinson: 
I was doing things like saying there were scat scenes in the first part of “Breaking Dawn.” And they didn’t fit into any of their stories. It just wasn’t printed anywhere. (Writer’s note: Well, technically, because it was something that Pattinson said, the scat comment was picked up, just not as widely as he might have hoped.) If you make a storyline for yourself that’s not going to fit into the prescribed model, it just will not happen. You know, those silly magazines.

You also have to make sure the person you’re talking to knows what scatting is.
Pattinson:
 Maybe that was the problem.

So do you pay attention to the media coverage about you or do you tune it out?
Pattinson:
 I mean, in some ways, you’re forced to. But not really. It’s not going to help anything. It’s not going to do any good.

According to my Twitter feed, you were asked during the junket press conference for “Breaking Dawn Part 2” about movie franchises, and you said you hate the word franchise. So I’ll try not to use that word. Signing on to a film series like this is a huge commitment, time-wise and to the same character. Having just completed this one, do you see yourself wanting to do that again in the near future? It seems like you’re choosing projects that are not in that vein.
Pattinson:
 A lot of the stuff I’ve chosen, which I’m doing this year, I chose a year ago. And things change — the industry changes really quickly at the moment. It also seems like the only thing being made are franchise movies.

Ah, you said the word. Not me.
Pattinson:
 That doesn’t mean I like it. [Laughs] It only worries me because you just lose tons of control. As I get older, I mean — the stuff you put out into the world is supposed to be representative of who you are. And if you don’t have control over it, I don’t know how to say, ‘This is who I am, and this is what I’ve made.’ It’s not. It’s a whole other thing. It becomes more a job than an art. If I wanted to do a job, then I’d be doing a job, however ridiculous that is to say. I probably will be doing a job soon. Cleaning toilets, or something.

I doubt that seriously. So it sounds like you could be interested in a franchise, but it would depend on what the project was.
Pattinson:
 Yeah, I think it’s a powerful thing. You look at something like “Star Wars.” No one’s going to call “Star Wars” a franchise.

Well, people do.
Pattinson:
 Just after the new ones. [Laughs] The first three, that was a series, not a franchise.

Speaking of that, if someone approached you with a part in that series, would you want to do it?
Pattinson:
 In “Star Wars”? Oh, absolutely. In a heartbeat.

What if they asked you to play Jar-Jar?
Pattinson:
 I actually kind of like Jar-Jar. I don’t understand what the big deal is about Jar-Jar.
I was talking to somebody the other day about how sometimes having all the merchandising and everything is kind of exciting. I still want to have a light saber. I want to buy the toys and stuff. I like the idea that the fandom will create the universe on its own just because it’s so huge, and there are so many things to buy into and invest in.

Now that “Twilight” is over, I’m sure you feel some sadness. But is there also a bit of relief?
Pattinson:
 Yeah. It’s just so huge that it feels like it moves quite slowly. It’s like a juggernaut. It is quite exciting to be thinking from now on, you’re not going to go back to — I’ve done movies in between and that’s kind of been a gradual progression of my life but you’d go back to doing a “Twilight” movie [after each shoot] every single time. So you’re always starting from basically that point. Once you start doing, you know, random movies every single time, you progress into something else.


Washington Post

Rob’s Interview with Elle Brazil – Talks Twilight, Cosmopolis, Kristen and more

ETA: Translated the full interview of Rob with Elle Brazil. Looks like it’s from the same roundtable interview as other international magazines, but there are a few new quotes. Rob talks about Twilight, Cosmopolis, Cannes and Kristen.

*UPDATE* NEW PIC UNDER THE ARTICLE

He could have a huge ego. British actor Robert Pattnson is one of the  highest paid in Hollywood – just in the last year, he earned $26,5M according to Forbes. The blue eyed guy has a legion of  rabid fans, that follow him everywhere, and to add to that, he has been  getting offers from acclaimed filmmakers. An example is the Canadian  David Cronenberg, that directed him in Cosmopolis – the movie was  in competition for the Palm D’Or in Cannes and will be released in  Brazil in August. In person, however, Pattinson surprises for his  humility and sense of humor. „All of a sudden, I left a ridiculous  £500 paycheck and became a Hollywood star. And all of that happened  without me proving anything.“jokes the actor, that became famous all over the world with the Twilight saga, which started in 2008 and has made since then $2.5 billions.
Even  after beating more that 3000 candidates for the part of the vampire  Edward Cullen, Pattinson is the first to admit that the character never „demanded much effort“„The screenwriters did the best they could, but there isn’t a lot to do when the guy never changes“ says the actor, a lot more excited about what the movies brought to his life than making them. „I know that I wouldn’t be here if it wasn’t for Twilight. But from now on I want to overcome my insecurities as an actor, even if it means to take risks and make mistakes.“

The first part from this new phase is Eric Packer, the finance genius that he plays in Cosmopolis.  Adaptated from Don DeLillo book, the futuristic drama follows the day  of the ruthless billionaire that faces an existential crisis by putting  his fortune in danger. With all the classic weirdness of a Cronenberg  movie, most of the scenes are set inside a limousine, in which  Pattinson’s character gets many visits – including prostitutes, doctors  and financial analysts. „I confess that, when I read the script, I  thought about saying no to the offer. I didn’t want to look like a  coward, but I couldn’t understand anything. I felt an enormous potential  for failure, especially because my character talks nonstop“, he  says laughing. Fortunately, Cronenberg didn’t care about the fact that  the finance world didn’t mean anything to Pattinson. The way that he  felt alienated would work on his side – since his character isolates  himself. „Only after, during filming, is when I understood that the  script is about an absurd contention in the struggle for power. It’s an  apocalyptic story about capitalism.“

During the movie, the protagonist reveals that deep down he’s just trying to escape from himself – something that Pattinson can relate to. Since he became famous, the actor is chased by the media and fans. „I try not to think a lot about that and just do my job. My life is really weird. It’s not as strange as my character’s in Cosmopolis, but I feel just as claustrophobic as him sometimes.“. Eric Packer even goes through a prostate exam in the limo. But the actor doesn’t complain. At least Packer and his next roles go beyond the „good guy“ of the story. „It’s not easy to get around as the heartthrob for a long time. You need to be extremely self-confident, that’s not my case. I don’t think I’m attractive. I’m weird.“, says Pattinson, that started acting when he was 15 at the Barnes Theatre Company to „meet girls“.

In his current phase of acting in more cult projects, the actor plays in Bel Ami, based on the book by Guy de Maupassant, that will be released in Brazil in August, in the role of a seductive man with an obscure soul, that sleeps with women like Uma Thurman, Christina Ricci and Kristin Scott Thomas for money and power. In Mission: Blacklist, currently in pre-production, he’s going to play Eric Maddox, who spearheaded the capture of Saddam Hussein. And in The Rover, also in pre-production, his character will be a mentally disturbed guy, that helps his brother in getting back a stolen car. „They are interesting parts for an actor like me, that still has a lot to learn.“

Pattinson is also writing a script with his girlfriend, the actress Kristen Stewart, that he met duringTwilight„It’s not for now. We’re not going to hurry to work together again. We know it has to be a really great movie to explain a new partnership on screen.  If not, they’re going to crush us“, he explains. He says he couldn’t have found a “more perfect” girl than Kristen. „She understands exactly how I feel. She is an ambitious woman who wants to grow as an actress. She has an excellent radar for what is good and challenges me constantly.“

Named Robsten by the media – like Brangelina (Brad Pitt and Angelina Jolie) – , the couple went through the emotion and the craziness of having a movie competing for the Palm D’Or at the latest Cannes Festival. He was competing with Cosmopolis, and she with Walter Salles’ On The Road„Someone made a joke about us being adversaries, which would be insane.” Pattinson admits that he got „a little jealous“ when Kristen told him about being at the French event – Cosmopolis‚ selection wasn’t confirmed yet. „In the end, it was amazing to have each other’s support. Her presence at the gala screening of the movie made me really nervous. She was sitting in front of me. I kept looking at the back of her neck, trying to find out if she was liking the movie or not (laughs). I only relaxed when, at the end, Kristen told me she loved it.”


Source: RPLIfe

Rob Talks About Kristen and Cannes in ELLE Brasil



Translation:
He says he couldn’t have found a “more perfect” girl than Kristen. “She understands exactly how I feel. She is an ambitious woman who wants to grow as an actress. She has an excellent radar for what is good and challenges me constantly.
Named Robsten by the media – like Brangelina (Brad Pitt and Angelina Jolie) – , the couple went through the emotion and the craziness of having a movie each competing for the Golden Palm at the last Cannes Festival. He was competing with Cosmopolis, and she with Walter Salles’ On The Road. “Someone made a joke about us being adversaries, which would be insane.” Pattinson admits that he got “a little jealous” when Kristen told him about being at the french event – the selection of Cosmopolis wasn’t a done deal yet. “In the end, it was amazing to have each other’s support. Her presence at the gala screening of the movie made me really nervous. She was sitting in front of me. I kept looking at the back of her neck, trying to find out if she was liking the movie or not. (laughs). I only calmed down when, at the end, Kristen told me she loved it.
– ELLE Brasil July 2012

Robert speaks out about Kristen in the July issue of Vanity Fair



“I have been criticized a lot for not looking perfect in every photograph,” Kristen Stewart tells Vanity Fair contributing editor Ingrid Sischy in July’s cover story. “I get some serious shit about it. I’m not embarrassed about it. I’m proud of it. If I took perfect pictures all the time, the people standing in the room with me, or on the carpet, would think, What an actress! What a faker! That thought embarrasses me so much that I look like shit in half my photos, and I don’t give a fuck. What matters to me is that the people in the room leave and say, ‘She was cool. She had a good time. She was honest.’ I don’t care about the voracious, starving shit eaters who want to turn truth into shit. Not that you can say that in Vanity Fair!”


On top of battling personal reluctance, Stewart also struggles with the public’s preconceived notions about her personality. “People have decided how they are going to perceive her,” Robert Pattinson tells V.F. of Stewart. “No matter how many times she smiles, they’ll put in the one picture where she’s not smiling.”


But for all her nose-thumbing at critics who demand perfection, she looks pretty perfect in the photographs from July’s Vanity Fair, in which she poses at locations across Paris in spring’s couture for contributing photographer Mario Testino. In some of the most glamorous photographs, Stewart wears haute couture at the ballet, posing with dancer Jérémie Bélingard in a pantless Jean Gaultier corset and dripping in Fabergé diamonds and emeralds, at right. Of her personal style, she tells us she’s evolved into loving wearing “some cool shit” from the world’s most respected and avant-garde designers, although she wasn’t always attuned to the power of fashion. “Look at a picture of me before I was 15. I am a boy. I wore my brother’s clothes, dude! Not like I cared that much, but I remember being made fun of because I wasn’t wearing Juicy jeans. I didn’t even think about it. I wore my gym clothes. But it’s not like I didn’t care that they made fun of me. It really bothered me. I remember this girl in sixth grade looked at me in gym and was like, ‘Oh my God! That’s disgusting—you don’t shave your legs!”


Now past the initial sting of her harsh childhood critics, Stewart has developed into a wry and at-ease adult, and Sischy caught her in the mood for modest adventures—like when she takes the actress to a quiet, tucked-away table in the back of a Parisian seafood restaurant, where they are offered escargot, a dish that Stewart has never tried. After warily eyeing the snails, she dives right in—washing them down with white wine and bread—and says with a grin, “Pretty good. Though I just don’t want to eat a whole plate of them.”


Of her life as a major star, she reflects on the moment when she realized that Twilight had changed her life. “You can Google my name and one of the first things that comes up is images of me sitting on my front porch smoking a pipe with my ex-boyfriend and my dog. It was [taken] the day the movie came out. I was no one. I was a kid. I had just turned 18. In [the tabloids] the next day it was like I was a delinquent slimy idiot, whereas I’m kind of a weirdo, creative Valley Girl who smokes pot. Big deal. But that changed my daily life instantly. I didn’t go out in my underwear anymore.”


For her part, author Sischy sees “something so endearing, so human, about [Stewart’s] combination of bravado, kindness, self-preservation, self-assertion, and revved-up fierceness that I found her cheering. Of course, her idealism and drive to tell it as she sees it—the voracious, starving shit eaters be damned!–could be just a product of her youth. She could grow up to be another narcissistic snore, but my sense is that’s not in the cards here.”


Source

Rob talks Cosmopolis, Cannes, Twilight, Kristen in Cine Tele Revue Magazine


Translate:

In the movie, you get your prostate checked? Is yours asymmetrical too?
Rob:
 *laughs* I haven’t checked that yet! Everybody talks about it, it’s crazy how that line marked people.
Did you feel up to the task to take on this role?
Rob:
 When David Cronenberg called me I was in the middle of shooting Breaking Dawn. There were only three weeks left. As soon as I got home, I pounced on the script and read it in one sitting, in one night. It was really strong, complex and freaky but so funny!
Your character speaks all the time, weren’t you scared?
Rob:
 The risk of failure was huge. At first, I told David I didn’t feel ready for the challenge. There was too much pressure, but he convinced me. Even though he knew I didn’t understand anything from the script. *laughs*
What didn’t you get?
Rob:
 For Cronenberg, everything made sense. The fact that I didn’t understand didn’t bother him. He was more concerned about my performance. The world of finance means nothing to me. It conceals an absurd distortion of power struggles. But it’s not the end of the world, it’s a rebirth because this world needs sometimes to be cleansed and purified.
Your character tries to escape from himself. Since you became famous – and with all these paparazzi hanging on to your coat-tails – are you experiencing the same thing?
Rob:
 I try not to think about it, I only do my job. I stay cautious about all of this but it’s still weird. It’s like speaking in your sleep. Cosmopolis is a challenging movie that will open doors for me to new projects. I am very pleased. Saying that though, I can’t compare this with my private life even if I feel completely claustrophobic.
Are you relieved that Twilight is over now and that you can now move on to something else?
Rob:
 I will never disown Twilight. It was my job security. I’ll never try to find excuses. The advantage now is that directors think differently. As an actor, it’s something you’ve always dreamed about.
Lots of people think it’s because of Twilight that you’re pushed to do more diarist and intellectual movies …
Rob:
 I did little movies before Twilight. People only notice you when they feel like it. It depends from one type of audience from another. I ‘acted’ too in Twilight. It was a beautiful period in my life but now it’s time to turn the page.
Are you still offered heartthrob’s roles?
Rob:
 It’s not always easy to play heartthrob. You need to be extremely confident or be completely oblivious to what people think of you. I like to keep my integrity as an actor.
Did you see ‘On the Road’ in which your girlfriend, Kristen Stewart, has a role?
Rob:
 Yes and it’s sort of weird to see her like this. To have people clapping for you at Cannes, a Festival that’s a little crazy and with so many people, is funny. We might expect those kind of reactions but always end up being surprised.
Did you become up professional opponents?
Rob:
 No, never. For a year now we both had the chance to evolve in the job we love, especially in those amazing movie projects. Kristen is really ambitious. She knows how to find good scripts, she has the nose for that. I admire her.
We wanted people to respect and understand our choices. During the Cosmopolis screening at Cannes, I was a nervous wreck. I was looking in front of me, behind me, trying to guess people’s reactions. I was trying to listen for whispers. And in the end, I missed half the movie. *laughs* At the after party that followed, I was even more terrified at the prospect of having to face people’s comments.
Will you be in a movie together after Twilight?
Rob:
 Yes, absolutely. We’re trying to write a script together. It won’t be for now but we’ve thought about it for a long time. The filming of the last two movies was long and difficult.My character doesn’t change, he can’t die. We finish on a high note.